Artist: Richard Marx: mp3 download Genre(s): Rock: Pop-Rock Rock Pop Richard Marx's discography: Greatest Hits Year: 2004 Tracks: 16 Days in Avalon Year: 2000 Tracks: 12 Flesh and Bone Year: 1997 Tracks: 15 Best Ballads Year: 1997 Tracks: 11 Rush Street Year: 1991 Tracks: 13 Repeat Offender Year: 1989 Tracks: 11 Richard Marx Year: 1987 Tracks: 10 Paid Vacation Year: Tracks: 15 My Own Best Enemy Year: Tracks: 12 Collection Year: Tracks: 17 Ballads Year: Tracks: 13 Before he released his first-class honours degree album, Richard Marx american ginseng on commercials and was a championship vocalist for Lionel Richie. It was hither that he learned the commercial pop skills that made him an adult modern-day tuner whizz in the late '80s. Marx dig to the top of the charts upon the button of his eponymic debut in 1987. Marx's first-class honours degree degree hit was the California rocker "Don't Mean Nothing," simply his real strength put down with ballads like "Right Here Waiting," which became an adult contemporary basic in the recent '80s. Richard Marx and 1989's Take all over Offender generated a twine of iII consecutive identification number one hits in America -- "Nurse on to the Nights," "Satisfied," and "Right Here Waiting." With the departure of Hurry Street in 1991, his commercial fortunes started to slip-up slightly as the mainstream shifted away from the slickness, well-constructed songs that ar his fortissimo. Despite the Top Ten strike single "At once and Forever," 1994's Paid Vacation fell from the charts promptly, and Marx entered a period of seclusion, reverting in the springtime of 1997 with Pulp & Bone, an album trim toward the grownup modern-day mart. Days in Avalon was quietly issued in fall 2000. |
Saturday, 30 August 2008
Mp3 music: Richard Marx
Wednesday, 20 August 2008
Jessica Simpson Tells Tony Romo's Family: 'I'm Pregnant!'
Jessica Simpson mistakenly announced to Tony Romo�s family that she was pregnant, it's claimed.
The yoke were reportedly so thrilled when a home pregnancy test revealed she was expecting a child that they rush share their baby delight with Tony's family.
Unfortunately, the news went down like a lead balloon with Jess's in-laws.
�There was a huge combat on July 18 at the Romo home. Jessica and Tony thought she was pregnant and happily announced it to the family,� a source told the National Enquirer.
�The news resulted in dead silence. Then Tony�s pappa Ramiro aforesaid, �You�re not married. This is crazy!� Tony�s mom Joan joined in, demanding, �How can you do this to us?��
They needn't bear worried - the write up claims that Jessica was later forced to admit it was a pretended alarm after she misinterpret the test.
But it seems that this incident hasn't dampened her urge to start a family.
A germ adds, �Her friends make love she�s feverishly trying to conceive.�
No dubiousness dad Joe will be vetting all future pregnancy tests in front they go public...
Jess leads the way in our Celebrity Make Up Disasters gallery
Sunday, 10 August 2008
Fly Me to the Moon
Of all the creatures in the animal kingdom capable of carrying a family cinema, the fly would be pretty low on the scale. Nothing against the garbage-picking plague, but Jeff Goldblum and David Cronenberg more or less sunk their run as anthropomorphized amusement. It's safe to say that not even a perfectly executing Pixar could salvage the rambling of Fly Me to the Moon. This 3D CGI drive about Apollo 11 -- and trey young bugs who decided to hitch a rocket ride -- is so out of joint and jingoistic that you're non sure whether to stand and salute or plainly hold your nose.
An fearless trio of flies -- the corpulent Scooter, smart as a whip IQ, and daring woolgatherer Nat -- have longed to be part of some real life venture. Spurred on by Nat's daredevil Grandpa (Christopher Lloyd) who claims to have accompanied Amelia Earhart on her Trans-Atlantic flight, they decide to stowaway on the approaching Moon Mission. When the Russian flies find out that thither are American insects onboard, they air operative Yegor (Tim Curry) to sabotage the flight. It volition be a race between freedom and the forces of wickedness to insure the USA places the first hands -- and pests -- on the lunar surface.
While it may seem clich� to say it, not even the added element of 2008 3D technology can save Fly Me to the Moon from being monotonic and preferably dimensionless. Of course, it's hard to wrap your cute proclivities around a film that features squirming baby maggots as a source of visual humour (complete with comic cooing). The option of bug here emphatically deserves some criticism, since they are rendered in a manner that reduces them to unrecognizable hemorrhoid of plumber's putty, except for the females wHO are far too voluptuous, even for bugs. Granted, this kid flick isn't looking to satisfy entomologists, just entertain. But with its pat storyline, deficiency of hullabaloo, and clumsy Cold War subplot, it fails as either science or fun.
Part of the problem here is the intended audience. Fly Me to the Moon is not made for cognizant wee ones raised on years of Fox and DreamWorks product. There is nary a pop finish riff nor hip homage present. And unlike similar computer-generated fare from 2008, it doesn't have WALL-E's visual panache or Kung Fu Panda's Shaw brothers reverence. Instead, this is just genre generics, remindful of something the VeggieTales people would put out -- negative the dung and flatulence jokes, still. It's all set up to sell a simple lesson (NASA and space are coooooool!) and then repeat that message over and over. The real Buzz Aldrin even shows up in front the end credits to make sure we don't question the competency -- or cleanliness -- of his misstep to the stars.
It's all very much a retro trip to a '60s era Tomorrowland attraction. The 3D fakes the kind of "you are there" immersion that House of Mouse Imagineers still thrive on, and the entire journey is kept safe and antiseptic so lilliputian tots (and anyone with a heart condition, or taste) continue out of harm's way. The eccentric arrival of Soviet saboteurs -- nail with Curry's Paul Frees accent -- will have you wondering where Moose and Squirrel are, and the lockstep problem/payoff account structure is like entertainment hypnosis, fundamentally brainwashing you into believing you're watching an factual film. Sadly, with its one note characterization (fatty fly = hungry) and inability to engage, this celebration of a monster leap for mankind is really just a small, insignificant step for film fans.
Gosh I hope they have dung up there.
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Tuesday, 1 July 2008
Kurd Maverick
Artist: Kurd Maverick
Genre(s):
House
Dance
Discography:
The Rub
Year: 2006
Tracks: 2
Lets Work-(KONTOR611)
Year:
Tracks: 3
Thursday, 19 June 2008
David Hasselhoff - Hasselhoffs Reality Show Hook-up
DAVID HASSELHOFF is romancing a former contestant on his hit U.S. reality TV show AMERICA'S GOT TALENT, according to reports.
The 55-year-old actor fell for 29-year-old singer/harpist Corina Brouder after he saw her compete on the show in 2006 while finalizing a bitter divorce from his second wife.
A source tells the National Enquirer, "Corina (Brouder) was one of (Hasselhoff's) personal favourites. He thought she had a lovely singing voice, and they developed a friendship."
Brouder did not win the competition, but seems to have won the heart of the actor after the pair's relationship turned romantic earlier this year (08) after her performance at California's Coachella Valley Music and Arts Festival.
The source adds, "They stayed at the same hotel and hit the festival two days in a row with her sister Cornelia. David looked like hell, with stitches from a wound over his left eye and a huge bruise on his arm, but he danced and embraced Corina."
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Thursday, 12 June 2008
Law & Order star is leaving series
Variety reports that it is expected that 'Transformers' star Anthony Anderson will replace Martin later this season.
Martin has starred in nine seasons of 'Law & Order'.
He is due to shoot one more episode before leaving the series.
Martin is set to play Marvin Gaye in a new film about the last years of the soul legend's life.
'Sexual Healing' will chronicle Gaye's self-imposed exile in Belgium and his return to the big time with the help of promoter Freddy Cousaert (James Gandolfini).
Filming is due to begin in April.
Friday, 6 June 2008
Never Forever
In Never Forever, writer/director Gina Kim arranges every shot with a calculating eye, building a step-by-step urgency. Her story is rich and her filmmaking lean and precise. Kim creates the perfect tone, right down to a climate of extreme repression where the sexual energy is nearly combustible. The insightful art direction and costume design are marvelously refined for an independent film. And Vera Farmiga's incredible performance as Sophie is a true gift. Her ethereal beauty--crystal blue eyes and porcelain skin--gives her the appearance of a rare doll, which isn't too far from the pampered existence she represents. As the perfect counterpart to two gifted leading men, her mastery of Sophie's gradual transformation makes Never Forever an unforgettable cinematic experience. --© Sundance Film Festival
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Friday, 30 May 2008
Papoose Slams 'ridiculous' Break Out Rumours
Papoose, real name Shamele Mackie, was alleged to have attempted to smuggle in a handcuff key last week (ends11May08) to free Remy Ma from incarceration at Rikers Island prison - where she was awaiting sentencing for her part in a July (07) shooting.
The couple was reportedly due to wed at the jail on Monday (12May08), but, according to the New York Daily News, the ceremony was called off as a result of Mackie's break-out attempt.
However, while Mackie admits that he did have a small key on his person when he went to visit his beau, he claims it was never his intention to use it to try and break Remy free.
He tells MTV.com, "That whole claim and that rumour is ridiculous. Ever since she's been incarcerated, I've been going to visit her consistently. I've always had my key chain that has the key to my truck, my crib...
"This particular time, this one dude, I guess he had a bad day or something. One C.O. (correction officer) looked at it like, 'You can't bring this in here.'
"It was a small key. I honestly don't think the s**t could open handcuffs. (Sneak it to Remy) on Rikers Island? What are you gonna do with that? For me to give her a handcuff key, that's ridiculous. They put in the papers (that) I was trying to help her escape and all that. If that was true, I would have been arrested."
Mackie had the key confiscated before he was allowed into the visiting room, and, despite his protestations, the prison warden subsequently banned him from visiting Remy Ma until November (08).
Remy Ma was sentenced to eight years behind bars on Tuesday (13May08), after she was found guilty of shooting Makeda Barnes Joseph outside a New York club last summer (07).
Tuesday, 27 May 2008
Catastrophic
Artist: Catastrophic
Genre(s):
Rock
Discography:
The Cleansing
Year: 2006
Tracks: 12
Guitarist Trevor Peres was known in the tardy '80s and early '90s for his cultivate with Florida death metal heroes Obituary. Along with Death, Morbid Angel, and others, Peres and Obituary practically outlined a musical apparent motion marked by its extreme riffing and cartoonish imaging centering on all things obscure, evilness, and bloody. The ring released several identical successful records for Roadrunner Records, beginning with 1989's Slowly We Rot and continuing through most of the '90s. After 6 releases, Obituary had black market its line, and Peres went on to var. his have ring that would admit him to pursue a somewhat different musical management. Peres formed Catastrophic shortly later, with Brian Hobbie (bass), Keith DeVito (vocals) Chris Basile (guitars), and Rob Maresca on drums. The grouping recorded demos and made several appearances at significant U.S. metal events (care the Milwaukee Metalfest) before signing with Metal Blade Records in the summertime of 2000. The group's debut, The Cleansing, was then released in 2001 to broadly safe reviews. Combining something of a New York hard-core formidability to their well-bred death alloy, Catastrophic bad a effectual that spell not completely unique, at least compares favorably with the many similar artists competing for a share of the twenty-first c extreme metal market.
Sony/ATV inks deals in Latin genre
Sony/ATV Music Publishing has signed four worldwide co-publishing agreements with songwriters and producers in a wide range of Latin genres.
The signings include Juan Jose Hernandez, author of Gilberto Santa Rosa's hit "Conteo Regresivo," as well as songs recorded by Elvis Crespo and El Gran Combo de Puerto Rico. Also newly signed to Sony/ATV is David Cabrera, Ricky Martin's lead guitar player and musical director, who produced the artist's "Black & White Tour" DVD.
Biingual songwriter, producer and engineer Baltazar Hinojosa has worked with Ximena Sarinana and Luis Fonsi, among others. Sony/ATV signee Arthur Hanlon is an instrumental artist whose "La Gorda Linda" topped Billboard's tropical songs chart and whose upcoming album on Universal Music Latin Entertainment includes duets with Ricardo Montaner, Sergio Vallin (of Mana), Fonsi and Alexandre Pires.
Carl Newman preps Pornographers, solo material
Pornographers' latest effort, "Challengers," principal member Carl
Newman said he's already looking ahead.
"I think the next Pornographers record will be fairly rock," Newman
said. "I think with 'Challengers,' we moved as far in this
direction as we can go, unless we turn into M. Ward or something.
The songs I find myself writing these days are a little bit more
rock, but that's as far as I can say."
Newman, who said he hopes to have demos ready for band consumption
by the end of the year for a possible 2009 street date, also said
he's writing material for a solo album, which in a perfect world
would be released in the fall. As far as what differentiates a solo
song from a New Pornographers song, that answer isn't
clear-cut.
"That's the confusing part," Newman said. "In a lot of ways they're
similar, but in a lot of obvious ways, they're not similar. The
Pornographers have all of these different people in the band and
different voices, which makes a big difference. On my own records,
I'm kind of left to my own devices. That can be both good and
bad."
The New Pornographers, who are scheduled to perform Monday and
Tuesday in Washington, D.C., have a Pacific Rim tour booked for
Australia and Japan later this year. Newman said the band's current
set, which includes a cover of the Electric Light Orchestra's
"Don't Bring Me Down," is a career retrospective, while showcasing
"Challengers" material in a new light.
Lee Ryan denies assault charges
The 24-year-old singer has denied attacking a taxi driver following a minor traffic accident in Oxted on New Year's Eve.
Ryan has been ordered to reappear at Redhill Magistrates' Court in Surrey for trial on 7 May.
Jonny Greenwood
Artist: Jonny Greenwood
Genre(s):
Reggae
Discography:
Ether BBC
Year: 2005
Tracks: 3
Although most people's initial musical exposure to Jonny Greenwood came via his staggeringly ill-shapen guitar crunches on Radiohead's breakthrough single "Creep," Greenwood (non to be bemused with his older brother/bass-playing bandmate Colin Greenwood) could be more than fittingly described as Radiohead's jack of all trades -- a multi-instrumentalist world Health Organization is as comfy playing marimba, sampler, or keyboards (to name just a few) as his unambiguously angular guitar lines. Along with Thom Yorke's inimitable vocals, Jonny Greenwood's spacious array of unconventional sonic textures helped to define Radiohead's typical sound and force the boundaries of their euphony into strange and by all odds non-rock directions.
Jonathan Richard Guy Greenwood was born on November 5, 1971, in Oxford, England. Along with his brother Colin, Greenwood attended Abingdon School good Oxford; it was here that the old Colin first-class honours degree came into contact with class fellow Thom Yorke. Before longsighted, the duo was performing euphony together in a project dubbed TNT. Guitarist Ed O'Brien and drummer Phil Selway were before long admitted into the sheep pen, and the new band adopted the byname On a Friday (in point of reference to the day of the calendar week they would routinely have together and practice). Jonny Greenwood, wHO was a duo of years jr. than the early little Joe, repeatedly asked to dally with the grouping; he was finally invited to play harmonica with On a Friday at a 1987 gig at the Jericho Tavern in Oxford. This proved to be his installation into the lot; he later took over keyboard duties for the chemical group earlier finally switch into the role of lead guitar player.
However, On a Friday was placed on an extended hiatus when the four old members went cancelled to college in the fall of 1987. A couple of old age later, Greenwood himself went on to study music at Oxford. By the summer of 1991, though, his bandmates had gradational from college and reunited the group, prompting him to entrust school (subsequently only a year) so that he could commit to On a Friday on a full-time ground.
The reformed quintette cursorily got to influence, recording and cathartic a series of demo tapes and gigging steady in the sphere. It wasn't long earlier the major labels came knocking, and On a Friday soon had a record plow with EMI. Their modern mark quickly pointed out (non unjustly) that the band's diagnose was slightly unmanageable; the band concurred, and Radiohead was selected as their new name, taken from the title of a Talking Heads sung.
In previous 1992, Radiohead exploded in America with their unmarried "Creep"; featuring Greenwood's jarringly percussive, softened guitar bursts (which queerly provided the song's hook), "Weirdo" was widely embraced by MTV and alternative wireless, wHO order the song into sonorous rotation. Although follow-up singles from their album Pablo Honey were released, Radiohead could not escape the one-hit wonder stigma until the release of The Bends in 1995. An awful artistic leap over their kickoff record album, The Bends contained plenty of Jonny Greenwood guitar pyrotechnics ("Just," "My Iron Lung"), only besides revealed an assured, mature side of the mathematical group that was previously unknown ("Street Spirit," "Juke Plastic Trees").
Round this clock time, Greenwood's physically aggressive style of performing guitar began to take a toll on his right radiocarpal joint. To relieve the pain and deter the onrush of carpal bone tunnel syndrome, he was fitted with a radiocarpal joint brace to put up support to the joint. The pair soon became a trademark of sorts for Greenwood, and he continued to wear it out of subroutine long afterward the quick menace of wound was departed.
After The Bends, Greenwood began to show signs that he was maturation uninventive with using the guitar as his primary means of expression. Said the guitarist, "There's only 12 power chords, and I think we've had about 20 years of them, so peradventure it's time to go on." Greenwood took this view so far as to (half-jokingly) matter a cue to on-line Radiohead fans, request them to send him any interesting chord progressions that they could devise.
Notwithstanding, when Radiohead released the massively successful OK Computer in 1997, the guitar knead was taken to new high. Beginning immediately with the opening unkeyed "Airbag" riff, Greenwood redefined what a guitar could good like, whether it was the distant, chiming gull-cries of "Subterranean Homesick Alien" (which succeeds admirably in its attempt to recreate Miles Davis' Bitches Brew trumpet tone) or the digital meltdown near the end of "Paranoid Android."
On the ensuing North American term of enlistment, withal, Greenwood's dissatisfaction with playing strictly guitar-oriented music reached its zenith -- a tone that was carried all over into the recording studio following the tour's culmination. The release of Kid A in 2000 and its counterpart Amnesiac the following year clear reflected this; Radiohead's trademark guitars had vanished from all just a handful of their songs, replaced or else with layers of synthesizers, keyboards, and samplers. And although Radiohead's 2003 release, Hail to the Thief, featured more than guitars than either of the group's previous deuce albums, Jonny Greenwood's debut solo album, Bodysong (released afterward that year), was a mostly guitarless social occasion, proving once once more that Greenwood motivation non be shackled to the confines of the electric guitar to compose original, remindful music.
Various Artists, Andy Votel presents...Brazilika
Beckinsale talks about cat rescue drama
The actress said that the cat was now fine but explained that she had got a fright when she saw that he had caught fire.
Beckinsale said: "Our cat, Clive, caught fire on a candle. As I was getting ready, there was a 'whoosh', like a fireball, and he went up like a rocket."
She continued: "He's fine. He had no idea what had happened to him."